Ping Your Spaceman

Liking What You See?

December 2, 2008 · 2 Comments

Though this came out a personal journal entry, I thought the final question I asked myself was a question I haven’t seen asked enough, and I’m curious to hear other answers.

The idea of paper mirrors is something I’ve struggled with for a long time. I’m far from opposed to them—they’re a wonderful outlet for those who are just coming into their own identity, whatever it be. And I have always viewed telling a person’s story as key; it was my greatest goal whenever I’ve worked as a journalist.

However, what has always bothered me was how unable I was to find one that fit my own experiences. As a teenager then coming into the idea of identifying as a lesbian, I would seek out narratives with queer characters. Yet I never really found my experiences made authentic in them; the best I ever got was a sense of a culture, a place where I might belong. And eventually, part of me outgrew that need; I understood enough of the culture to at least partially ‘pass.’ And ironically, I did fit the lesbian narrative quite comfortably—I even have the unrequited best friend love in middle school. Yet I never really became attached to this mirror when it was held up to me, which makes sense: one of the compliments I have consistently received throughout my life was that I always seemed determined to be my own person and never be defined by others.

In coming into my transness, though, even that sense of culture leaves a great gap—ironically, the closest “paper mirror” is likely transientdesire, who also just happens to be one of my closest friends and helped inspire this blog. We were both looking for somewhere that fit us, the kind of femme, situated comfortably in the lesbian label for a good portion of your life, and without an easily identifiable trans narrative person.

Trans discussion and literature, then, becomes distancing instead of welcoming, a recent example of being the collection Nobody Passes. Out of the blue I received a copy of it from another genderqueer acquaintance whom I bonded with at a conference. I was thrilled to get it, and for good reason. By and large, it’s s good collection of differing perspectives on the act of passing from all over the spectrum.

But not one was an experience I felt rung true with me. In some cases, I was only a listener, learning about experiences through reading; in some, I could have been an active participant, but instead I felt stuck by the sidelines.

All of this really can be boiled down to the fact that paper mirrors make me uncomfortable mainly because I’ve never had one, and I wonder what that says about how the trans community constructs itself (or what it says about how much I project of myself on others, possibly). Paper mirrors become a Catch-22 sometimes: great if you can find it, but the act of finding one may be harder than you think.

For all the greatness espoused regarding the queer community’s multifaceted nature, the very nature of being trans restricts the paper mirrors that can ostensibly exist. Medicalization and gender roles place expectations and ideas. It becomes a problem of acceptability, where the non-normative is rejected for the acceptable.

So is it a responsible act to pass on mirrors that reject the norms which also ensure treatment? I would say so, for transformation can only begin by presuming acceptance of diversity from the start. But at the same time, what can be viewed as essential parts of the (American, at least) transsexual identity hangs on the whims of some doctors and a handful of guidelines. Would paper mirrors which sidestep this fact then be inadvertently leaving young trans consumers with the wrong impression? Again, my inclination is to say no, but I’m curious to hear what other people think.

Categories: media issues · trans issues · youth

2 responses so far ↓

  • Ariel Silvera // December 3, 2008 at 7:51 am | Reply

    Maybe because I’ve always compartmentalised my identity (willingly or otherwise), I’ve never bothered to find a paper mirror that totally suited me. I mentioned this on a Girl-Wonder thread, that I think I am too much of a subset to warrant a character that is anything like me.

    Or perhaps I don’t fully understand the concept. As I’ll put in my (forever delayed) next PfT post, I found a strong paper mirror in a character from Shounen manga who other from a particular issue (the power of feminine masculinity) doesn’t have much in common with my experience.

    You’re totally right, however, that there aren’t enough paper mirrors for trans people, though I feel as there is more exposure of trans people, that is slowly changing. I see myself in some things that people write, be it Serano, Bornstein, or our quite healthy trans blogosphere.

    What all of this tells me is that I should really get to work on some of my comic ideas.

  • averydame // December 3, 2008 at 2:46 pm | Reply

    And I’m the exact opposite: I tend to view my identity holistically, as inextricable from who I am and who I present, and thus I feel unable to also *hide* my identity. Not being honest in all situations feels like I am forcing myself to experience my life inauthentically. (Not, of course, to say how you experience identity isn’t authentic.)

    And really, I don’t want, say, a character specifically like me so much as a way to see my own experiences affirmed, in a way. Yet more often than not even I find even a refracted reflection of my experiences is not there in a work. Instead, I have to check off certain boxes, compartmentalize myself, before I can get the reward of seeing myself. Fun Home was probably the only work where I didn’t feel like I had to do that, though I think everyone was able to find a bit of themselves in Fun Home–no doubt that’s part of what makes it such an amazing work. It didn’t compartmentalize.

    I joked to some friends last night that I feel like I’m becoming a kind of pink unicorn: that man everyone assumes is gay based on social cues but who really prefers women, not that anyone asks. And though I was being mostly facetious at the time, part of me was also serious: how many of those men, after all, exist for something besides “trap” humor?

    There’s a great power, then, in having one’s life affirmed through a direct relation, especially while one is early to come out and unsure. Though I’ve nitpicked it before for focusing too much on the coming out narrative, Queer YA Lit does a good job of providing a variance of outing stories to fit the varying experiences of readers.

    That’s what I feel is ultimately missing, especially for young and/or newly-out folks (and of course, in comes the caveats and questions I ended my post with). The Bornstein/Serano/the blogosphere is great for a certain set of folks; it’s not entirely multipurpose, however. Education and a focus on informed discussion are vital, but there’s also the question of audience. What’s missing from that space, then?

    However, I admit I’m asking a lot of questions of which I’m not sure how to answer, and that there’s no doubt some of my own issues bound up in this discussion.

    Up for detailing your example? I’m curious to know more!

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